Safaee attributed the rising visibility of Chinese movies in France to the worldwide success of main Chinese productions and filmmakers.
PARIS, May 14 (Xinhua) — Chinese cinema is gaining growing recognition in France because of its variety, technological sophistication and increasing cultural exchanges, based on Ardavan Safaee, president of Pathe Films.
Speaking to Xinhua throughout the present eleventh version of the Chinese Film Festival in France (FCCF), Safaee, who additionally serves as co-president of the pageant, stated the occasion has considerably reshaped French audiences’ notion of Chinese cinema over the previous decade.
This 12 months’s movie pageant opened in Paris on Sunday, with 17 Chinese movies set to tour 10 French cities and areas over the next two months.
“What has truly changed since the festival’s creation is the perception of Chinese cinema in France,” he stated. “Chinese cinema now holds an important place in the French public’s consciousness.”
Safaee attributed the rising visibility of Chinese movies in France to the worldwide success of main Chinese productions and filmmakers. He cited the recognition of The Wandering Earth franchise on the Cannes Film Festival for instance of Chinese cinema’s increasing international affect.
According to Safaee, one of many pageant’s biggest contributions has been introducing French audiences to the breadth of Chinese filmmaking past mainstream distribution channels.
“Through the festival, audiences can discover animated films, historical dramas, thrillers — a truly rich variety of genres,” he stated.
Among this 12 months’s featured productions, Safaee highlighted The Nanjing Photo Studio, a movie specializing in atrocities dedicated by Japan throughout World War II. He in contrast it to the French movie De Gaulle, which portrays how Charles de Gaulle organized the French resistance throughout the battle.
He stated such historic narratives create alternatives for deeper cultural dialogue between China and France.
Safaee additionally famous that China has one of many world’s largest cinema networks and a extremely enthusiastic movie-going viewers. He added that Chinese viewers, very similar to French audiences, recognize a variety of genres, together with historic epics, mythology-inspired adventures, auteur cinema, animation and comedy.
He stated China’s potential to mix cutting-edge movie applied sciences with large-scale productions has made its movie trade more and more aggressive internationally.
Looking forward, Safaee careworn the significance of strengthening French-Chinese co-productions to construct stronger cultural connections with worldwide audiences.
“The key to expanding Chinese cinema’s reach further is to find cultural bridges through French-Chinese co-productions and deepen collaboration so that films appeal equally to Chinese and French audiences alike,” he stated.