Using synthetic intelligence to “jump straight to the result” may imply artwork fails to realize its functions of self-expression and to deepen our understanding of the world, Japanese filmmaker Koji Fukada stated on the Cannes Film Festival on Thursday.
He stated his new drama “Nagi Notes,” set in rural Japan, which he’s premiering at the pageant, displays on the human course of of making a sculpture.
“When AI is used to create an artwork or produce a video, you effectively skip over the process and jump straight to the result and, in doing so, we, who ought to be the ones expressing ourselves, lose sight of the very process in which we are to increase our understanding of the world,” he stated.
“Nagi Notes” stars Shizuka Ishibashi as Yuri, a Tokyo-based architect who travels to the western Japanese village of Nagi to go to her buddy and former sister-in-law, Yoriko, performed by Takako Matsu, to pose for a sculpture.
Yuri and Yoriko additionally join with two younger boys within the village, Keita (Kiyora Fujiwara) and Haruki (Waku Kawaguchi), and supply them with a protected haven for his or her blossoming emotions for each other.
Asked concerning the boys’ relationship, Fukada stated he felt there was an asymmetry in how audiences view gay relationships on display screen versus heterosexual ones.
“I hope that in 10, 20 or 30 years’ time or longer, when it’s commonplace for characters of all sexual orientations to appear in dramas, that such questions will become obsolete.”
Fukada’s final function, “Love on Trial,” screened within the sidebar Cannes Premiere part in 2025.
He additionally offered his 2020 title “The Real Thing” in official choice on the cinema showcase, whereas his 2016 movie “Harmonium” premiered within the secondary competitors part Un Certain Regard, profitable the Jury Prize.
“Nagi Notes” is one in all 22 titles vying for the pageant’s prime Palme d’Or prize, which can be handed out on May 23.
© Thomson Reuters 2026.