HomeEntertainmentKiller mother: Top S Korean actress lethal however home in motion flick

Killer mother: Top S Korean actress lethal however home in motion flick

Dispatching assassins is straightforward, however dealing with her moody teenage daughter is not possible: considered one of South Korea’s high actresses is again with a brand new motion film, mixing killer battle scenes with parental angst.

Revered in South Korea, Jeon Do-yeon, 50, has gained the highest appearing prize at Cannes and labored with a veritable who’s who of Korean administrators over a three-decade profession.

She’s performed every thing from an HIV-positive prostitute to a Korean housewife wrongly accused of drug smuggling, however it was her private expertise as a mom that proved invaluable for her newest position — and first motion lead — “Kill Boksoon”.

The Tarantino-esque motion thriller, which launched Friday on Netflix, was written by filmmaker Byun Sung-hyun — a confessed Jeon superfan — with the actress particularly in thoughts.

“I’m not a killer by profession, but I’m also living a very dual life — there is my life as an actress, and there’s that life as a mother,” mentioned Jeon, who like her character Boksoon has a teenage daughter.

Set within the vicious world of company assassins and full of kinetic battle scenes, “Kill Boksoon” is a serious departure from Jeon’s earlier work, principally critical dramas wherein she performs marginalized, persecuted characters.

The actress needed to study the complicated choreography required for an motion thriller, together with for a scene wherein Boksoon makes use of a marker pen as her solely weapon.

“I was very scared and afraid… but I thought I just had to pull this one off somehow, even if it meant my body could break down,” she mentioned at a latest press convention in Seoul.

Born in 1973 within the South Korean capital, Jeon made her TV debut in 1992 at age 19. Her actual breakthrough got here 5 years later, when her debut movie “The Contact” — a considerably melancholy South Korean model of “You’ve Got Mail” — turned a nationwide hit.

In 2007, she turned the primary South Korean to win the highest appearing prize on the Cannes International Film Festival, for her efficiency as a grieving mom in director Lee Chang-dong’s “Secret Sunshine”.

Since then, Jeon has continued to play memorable characters, together with a poor housemaid impregnated by her rich boss’s husband, who’s tricked into terminating the unborn little one.

“Taking on a range of characters, often dealing with complex emotions and feelings, like peeling the layers of an onion, Jeon Do-yeon’s performances get to the core of what drives her characters,” Jason Bechervaise, a Seoul-based movie scholar, advised AFP.

“Often this is pain — an emotion that is frequently conveyed in Korean cinema in some form, one that is extremely challenging to channel and convey, yet she’s able to do it with such authenticity.”

“Kill Boksoon” arrives after South Korea’s emergence as a cultural powerhouse, with the worldwide success of the Oscar-winning movie “Parasite” and the Netflix collection “Squid Game”.

The movie is Jeon’s first venture with Netflix, because the streaming big aggressively invests in Korean content material it says is wildly in style with its international audiences.

It can also be the primary time the 50-year-old actress has taken on a lead position in an motion film, following the latest historic Oscar win for Michelle Yeoh in a female-led motion movie.

“It is inspiring to see Jeon carve her own path in a patriarchal society, where female celebrities in their mid-20s are labeled ‘hags,'” Areum Jeong, a movie skilled and visiting scholar at Robert Morris University, advised AFP.

Jeon mentioned it was simple to empathize together with her murderer character, who struggles to attach together with her more and more secretive daughter and quips within the film that “killing is easier than raising a child”.

Spending three many years on the high of South Korea’s notoriously aggressive leisure trade can also be “somewhat easier than raising a child”, Jeon mentioned. “With work, I can come up with solutions on my own. But when it comes to a child, there are… things I cannot control.”

For director Byun, who mentioned he had been a fan of Jeon since 1992, his newest venture was a option to pay homage to Jeon’s unparalleled profession.

“In this movie, assassins are often called ‘knives’. And there is a scene where one says: ‘old knives become dull and ultimately useless,’ referring to Boksoon,” Byun mentioned. “And a reply to that is ‘dull knives hurt more’. Those lines were my way of paying tribute to Do-yeon.”

© 2023 AFP